Publications which include Experience Bryon’s Integrative Performance Practice
Bryon, E. ed., 2017. Performing interdisciplinarity: Working across disciplinary boundaries through an active aesthetic. Routledge.
Performing Interdisciplinarity
Working Across Disciplinary Boundaries Through an Active Aesthetic
Embodied cognition, acting and performance
Bryon, E., Bishop, J.M., McLaughlin, D. and Kaufman, J. eds., 2018. Embodied cognition, acting and performance. Routledge.
Transdisciplinary and interdisciplinary exchanges between embodied cognition and performance practice: working across disciplines in a climate of divisive knowledge cultures.
Bryon, E., 2017. Transdisciplinary and interdisciplinary exchanges between embodied cognition and performance practice: working across disciplines in a climate of divisive knowledge cultures. Connection Science, 29(1), pp.2-20.
Voice Studies: Critical Approaches to Process, Performance and Experience.
Thomaidis, K. and Macpherson, B. (eds) 2015. Voice Studies: Critical Approaches to Process, Performance and Experience. London: Routledge.
Connecting through the breath towards expressive communication in performance: an enquiry into the training of opera singers
Meitlis, R. 2015. Connecting through the breath towards expressive communication in performance: an enquiry into the training of opera singers. (187-199) In: Theatre, Dance and Performance Training. Vol 6.2
Thomaidis, K. 2014. The Re-Vocalisation of Logos? Thinking, Doing and Disseminating Voice. (77-87) In: Studies in Musical Theatre Vol 8.1
The Re-Vocalisation of Logos? Thinking, Doing and Disseminating Voice.
From walking and talking to cartwheels and high Cs: an examination of practice-based laboratory work into physio-vocal integration.
Bryon, E. R. 2012. From Walking and Talking to Cartwheels and High Cs: an examination of practice-based laboratory work into physio-vocal integration. (81-98) In: Murray, S and Pritches, J. (eds) Theatre, Dance and Performance Training. Volume 3, Issue 1. London, Routledge.
Reflections on Integrative Performance Practice and the Moscow Art Theatre
Bryon, E. R. 2008. An International Conversation about Movement. CSSD UK Journal
Interdisciplinarity and Embodied Knowledge:
Towards an Active Aesthetic Using Integrative Performance Practice
Bryon, E. R. 2006. Interdisciplinarity and Embodied Knowledge: Towards an Active Aesthetic using Integrative Performance Practice. Tanz im Musiktheater – Tanz als Musiktheater. Beziehungen von Tanz und Musik im Theater. Bericht über ein internationales Symposion, Hannover 2006. Würzberg: Königshausen & Neumann.
Pedagogy, Performance Theory & Historic Prejudice in Opera
Bryon, E. R. 2005. Pedagogy, Performance Theory & Historic Prejudice in Opera. (287-294) In: Shakespeare Around the Globe, Voice and Speech Review No 4.1.
Stanislavsky and the Classical Singer
Bryon, Experience. 2000. Stanislavsky and the Classical Singer: Is it madness to apply The Method to opera? Classical Singer Magazine. http://www.classicalsinger.com/magazine/article.php?id=784
Composing for Voice: A Guide for Composers, Singers, and Teachers
Barker, Paul. 2004. Composing for Voice: A Guide for Composers, Singers, and Teachers. London: Routledge.
Presentations which include Experience Bryon’s Integrative Performance Practice
2014 Experience Bryon. Keynote: at the Embodied Cognition, Acting and Performance Symposium, Goldsmiths University; Defining Embodiment, a Transdisciplinary Approach.
2014 Experience Bryon. Portsmouth University’s The Centre for Interdisciplinary Voice Studies
Interdisciplinary Performance Practice: New Directions in Opera.
2014 Konstantinos Thomaidis. The Moving Voice: Reflections on (Movement) Directing and Opera. International Federation for Theatre Research Conference 2014. University of Warwick. Paper.
2013 Konstantinos Thomaidis. The Grain of a Vocal Genre: A Comparative Approach to the Singing Pedagogies of EVDC Integrative Performance Practice, KoreanPansori, and the Polish Centre for Theatre Practices 'Gardzienice.' PhD Thesis. Egham, Surrey: Royal Holloway, University of London.
2012 Konstantinos Thomaidis. Musicianship Αbove All? New Perspectives on Training towards Integrated Bel Canto Performance. Music on Stage Conference. Rose Bruford College, London. Paper.
2009 Experience Bryon. ATHE, Between/Across/Beyond: Integrative Spoken Voice, Sung Voice and Movement into Theatre Making Practice. NYC
2007 Experience Bryon. Keynote: Moscow Art Theatre International Movement conference; Integrative Performance Practice.
